| Dramatic Theatre | Epic Theatre |
| Plot | Narrative |
| Implicates the spectator in a stage situation | Turns the spectator into an observer |
| Wears down his capacity for action | Arouses his capacity for action |
| Provides him with sensations | Forces him to take decisions |
| Experience | Picture of the world |
| The spectator is involved in something | He is made to face something |
| Suggestion | Argument |
| Instinctive feelings are preserved | Brought to the point of recognition |
| The spectator is in the thick of it, shares the experience | The spectator stands outside, studies |
| The human being is taken for granted | The human being is the object of the enquiry |
| He is unalterable | He is alterable and able to alter |
| Eyes on the finish | Eyes on the course |
| One scene makes another | Each scene for itself |
| Growth | Montage |
| Linear development | In curves |
| Evolutionary determinism | Jumps |
| Man as a fixed point | Man as a process |
| Thought determines being | Social being determines thought |
| Feeling | Reason |
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